13 year old kid reviews a 30 year old Sony Walkman

June 30th, 2009 by adam

BoingBoing.net found a great post on the BBC, 13 kid given a 30 year old Sony Walkman.  This is a great read.

- audioREVIEW

“Throughout my week using the Walkman, I came to realise that I have very little knowledge of technology from the past. I made a number of naive mistakes, but I also learned a lot about the grandfather of the MP3 Player.

You can almost imagine the excitement about the Walkman coming out 30 years ago, as it was the newest piece of technology at the time.

Perhaps that kind of anticipation and excitement has been somewhat lost in the flood of new products which now hit our shelves on a regular basis.”

image source: BBC “The Walkman was a nostalgic sight for Scott’s parents”

Read the whole article here…

source: BBC

via: BoingBoing.net

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Yamaha’s new neoHD is so Simple you’d think it was a Mac.

June 29th, 2009 by adam

Yamaha is introducing the newHD media controller.  Is it the ease of a Mac in a Home Theater in a Box?  Or maybe it is your grand parents new favorite toy.  Turn on the neoHD and it powers up the TV to display a simple menu of “Watch, Listen, Play”. Select “Watch” from there the simple and clean menu promps for “Watch Movie, Watch LiveTV,” and so on.  Plus the remote looks rather simple, good button size and to the point.  Yamaha might be getting some AARP props… It does appear though that with the ability to add WiFi, play sources from a laptop, speakers vs room acoustic set up software, and so on and so forth.  The grand kids might still have to set the dang thing up.

BUENA PARK, Calif.––Yamaha Electronics Corporation, the innovator in home theater and digital audio and video reproduction, today ushers in the future of home entertainment with the introduction of neoHD. These sophisticated Media Controllers provide the HD audio and video performance essential to true HD entertainment experiences and total control of all home and Internet components and sources connected to a home AV system. Using a simple remote to drive an intuitive menu-driven on-screen display, neoHD makes it easier than ever before to navigate and access all audio and video content in the home, regardless of where it is stored.

Upon touching the power button of the neoHD remote, the Media Controller and connected TV automatically power up and give the user three onscreen entertainment choices: “Watch,” “Listen,” or “Play.” Next, the user is prompted to choose among more specific activities (such as Watch Movie, Watch LiveTV, Listen CD, etc) at which time icons for the appropriate video, audio or video game components (such as Blu-ray players, CD players, cable boxes, iPods, game consoles, etc.) will appear. Once the component is selected, it automatically powers on and is fully operational via the neoHD remote and on-screen interface. All individual component remotes that normally clutter the room can be kept out of sight in a drawer.

neoHD can control up to six other AV components, such as TVs, Blu-ray disc players and set-top boxes, through its remote control and three IR outputs on the Media Controller’s back panel. Remote control codes for the AV components (including TVs, DVD and Blu-ray players, VCRs, set-top boxes, etc.) from most manufacturers are embedded into the neoHD Media Controller for immediate compatibility and control. The codes for components that are not embedded can be quickly learned by the Media Controller.

neoHD is available in a variety of configurations, including neoHD (YMC-500), neoHD WiFi (YMC-700) with WiFi/Ethernet compatibility, and the neoHD System 2.1 (YMC-S21), a complete surround sound and system control solution that matches the YMC-500 Media Controller with two high-quality speakers and a subwoofer.

Both neoHD models feature HD quality audio playback (Dolby TrueHD) and three HDMI inputs for connecting HD AV sources, such as a Blu-ray player, digital set-top box or Apple TV. Also provided are two component video inputs for game consoles and DVRs, such as Tivo, and single composite video inputs for a VCR. The YMC-700’s WiFi compatibility allow it to wirelessly play back content from PCs, laptops and audio files stored on hard drives. Even without the computer powered on, the Rhapsody online music service and Internet radio can be accessed directly from the Internet. YMC-700 can also playback iTunes AAC files via TwonkyMedia Server Software that purchasers have access to via a bundled license key.

Both models also allow connectivity to portable devices, such as USB memory sticks, as well as iPods and Bluetooth-enabled devices (including cell phones, PCs or Macs) via optional accessories (Yamaha YDS-11, MSRP $99.95, and Yamaha YBA-10, MSRP $129.95, respectively).

neoHD employs several proprietary audio technologies. Users can take advantage of Yamaha’s popular Cinema DSP programs, such as Movie, Music, Entertainment and All Channel Stereo, to optimize movie, TV and sports viewing experiences in systems with 5.1 speaker configurations. Yamaha’s AIR SURROUND XTREME technology adds extra system setup flexibility for a two-speaker stereo configuration, delivering surround sound that clearly separates the audio from in front, behind and either side of the viewer. Yamaha’s YPAO Automatic System Calibration quickly optimizes audio performance in any room, regardless of where the speakers are placed.

Adaptive DRC maintains the maximum dynamic range at all volume levels by continuously monitoring audio content and making low-volume sounds easier to hear as music or movies are playing. Yamaha’s Compressed Music Enhancer restores the highs and lows that are lost when audio files are digitally compressed, such as with MP3 files, to make them sound fuller and more engaging.

Both neoHD Media Controllers, YMC-700 and YMC-500, are currently available for MRP $799.95 and $599.95, respectively. The neoHD System 2.1, YMC-S21 is also available for MRP $799.95.

source: engadget

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Yamaha DSP A3090
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In-Wall Digital Media System for the Apple iPod®

June 29th, 2009 by adam

San Clemente, CA—June 2009—iPort®, the company that created a new industry standard for controlling and playing music and video content stored on the popular Apple® iPod®, has introduced a new series of in-wall digital media systems designed to integrate a variety of iPod portable media players*—including the iPod touch®, iPod classic®, and iPod nano®—into whole-house music and video systems. The IW product line now features a variety of improvements and functions consolidated into three new models all of which feature USB charging capability.

The iPort IW line comprises the IW-20, IW-21, and IW-22. Each is designed with a unique feature set and different configurations to accommodate a wide range of installation and system requirements while supporting video output of content downloaded from iTunes, TV shows, music videos and more.

read more details on eCoustics…

Availability: Now shipping
Manufacturer’s Suggested Retail Pricing:

IW-20 $200.00/each
IW-21 $400.00/each
IW-22 $800.00/each
Balanced Audio upgrade kit (compatible with the IW-21) $250.00
Balanced Video upgrade kit (compatible with the IW-21 & IW-22) $300.00
Optional black wall plate (compatible with all models) $50.00
Optional IW rack-mount panel (compatible with all models) $80.00

About iPort®
iPort, inventor of the first in-wall music system for the Apple iPod, provides freedom from the constraints of headphones. iPort makes it possible to easily share music and photos through any home stereo or entertainment system. Using innovative technology and unique design iPort is committed to producing products that are stylish, inventive, and as simple to use as the iPod.

iPort is the innovation of Scott Struthers, co-founder of Sonance and developer of the worlds first high fidelity in-wall loudspeaker. He is a founding member of CEDIA and recipient of a CEDIA Lifetime Achievement Award.

iPort is a registered trademark of Dana Innovations

Apple, iPod, iPod touch, iPod classic and iPod nano are registered trademarks of Apple Inc.

source: eCoustics.com

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Magnetic Levitating Turntable Concept

June 28th, 2009 by adam

designboom.com has a post on a magnetic levitating turntable concept from Korean designer Rhea Jeong that looks amazing.  Wonder how it sounds.  Oh yes, the red ball is the needle. Actually, forget how it sounds, how does it work? Well the red ball is not only the needle, but an amp and a speaker.  Can’t see this being the next big hi-fi craze, but it would be a great coffee table peice.

via: designboom.com

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Salk Sound Veracity HT3 Floorstanding Speaker User Review

June 28th, 2009 by adam


Salk Sound Veracity HT3
7 reviews
5 of 5
MSRP: $ 5495.00

Description:

  • Design Full-range, floor-standingWMT 3-way
  • Drivers (1) G2 pure ribbon tweeter, (1) Seas Excel W18 EX midrange and (1) Custom aluminum-coned, low-distortion 10″ subwoofer with 21mm XMAX
  • Response 34Hz - 25KHz (+/- 1.5 db) 29Hz - 40KHz (+/-3db) (F10 23Hz)
  • Sensitivity (dB/2.83v/1M) 85db
  • Impedance nominal 8 ohms
  • Recommended Amplification 50 - 200 tube watts 120 -500 solid state watts
  • Box Alignment sealed midrange/ported woofer
  • Dimensions (HWD) 40″x12″x15″ (not including plinths and spikes)
  • More Products from Salk Sound >>
    Search AudioReview forums for the Salk Sound Veracity HT3 >>

    www.salksound.com

    Reviewed by: texas steve (AudioPhile)

    Review Date April 27, 2006

    Overall Rating 5 of 5

    Value Rating 5 of 5

    Used product for Less than 1 month

    Summary:
    Purchased HT3s and HTC (center)

    Ok, so after one week of use and familiarization I promised you all a review update of my HT3s and HTC pictured above.

    Cabinets and wood work;
    Appearance of the dye/color, style and overall finish is absolutely excellent. I did not have the HTC (center) hand rubbed as it sits up inside a cabinet above Shakespeare (see pictures at http://www.audiocircle.com/circles/viewtopic.php?t=27255 . The woodwork overall is excellent!

    Sound in Stereo mode:
    The good: Excellent!
    The bad: You can tell that 80% of your Cds suck in quality. So now I have to buy better sounding CDs.!

    In pure stereo the sound is excellent - with good recordings you can easily hear the different air and space between instruments, and the very detail sounds in each instrument and voice. The male and female voices are extremely accurate. I took some time with toeing in and distance against back/side wall etc. I ended up 20″ from the back wall, and 35″ from each side will. Toed in at a angle that hit each ear. The listening distance from the HT3s are 13′.

    What really strikes me is the detail of the ribbon speaker. The mid an bass is also excellent, (in fact I now only use my Muse 18″ sub you can see it in the picture to the hard right for 5.1 LFE effect the sub you see in the picture to the hard left is used for the surround speakers in movie mode). Listening to Aaron Nevel (sp?) his voice is reproduced with absolutely perfect timber etc. On jazz recordings the detail of cymbals is extraordinary, you can not only hear the smallest wave of sound as the sound travels from one side of the cymbal to the other, you can also hear the distance in air between the snare and the cymbal!

    Movies 5:1 etc
    The dynamics required for theater of a speaker is powerful. The HT3 and HTC absolutely stand up to it. In movie after movie the speaker handled the excessive drive required by pounding base with ease. The HTC blended seamlessly in sound and although cant handle the same amount of base at the HT3s (I’m considering adding a subwoofer to the HTC for theater only), it did really well. The HTC handles the detail (ribbon again I’m sure) of voice and other sounds as well as the HT3s.

    The music in DVDs is astounding! Again the small details that I did not hear before are now there. Ruffling of leaves on trees, small things I did not notice before that now appears. No question, this is a major improvement.

    Conclusion:
    When you spend this kind of money I have to believe you WANT them to sound and look good. And truthfully you will LOOK for only good things! After all YOU spent all that money sight and sound unheard, a blind leap of faith deep into the cravats of your wallet! And if it did NOT prove out to be a wise choice……………………….

    In my opinion, I found some faults (cabinet mentioned above, also remember my speakers were the first or second that Jim did with the new “procedure”) but the sound, fit and overall finish is a 9.0 out of 10. I would give them a 10 if it were not for the few cabinet items mentioned. The CD that Jim sends with the speakers has absolutely excellent material and reproduces the best of the HT3s ability.

    They say the “road is paved with good intentions”, in this case blind faith has paved and remapped the boundaries to what wonderful listening that is possible with these speakers.

    Happy listening to those who have them, and to those waiting - Keep the faith

    Strengths:
    very detailed and open
    absolutely better with the top grill removed
    Beautiful superb build quality - almost museum quality
    bass is very tight, defined and deep (don’t need my sub any more)

    Weaknesses:
    Only one - build time (3 months average)

    www.salksound.com

    Read more reviews on Salk Sound speakers.

    The top 5 reviewed products from Salk Sound.
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    Rega Elicit Integrated Amp User Review

    June 28th, 2009 by adam

    Description:

  • Discrete circuitry used in the signal path.
  • Polypropylene capacitors used in all sonically critical positions.
  • High specification Relay switching used throughout.
  • Symmetrical power amplifier utilizing state of the art Sanken Darlington output transistors with enhanced thermal stability.
  • Higher than normal Class A quiescent current.
  • Galvanically isolated power supplies for the pre amplifier, power amplifier & digital circuits.
  • Fast diodes used in the audio power supplies. Nine individual power supplies.
  • High stability low noise voltage references used throughout.
  • Low noise servo controlled FET pre-amplifier with the minimum of coupling capacitors.
  • Wolfson digitally controlled stepped attenuator volume control.
  • Generous heat sinks for continuous use.
  • Plug in card for MM & MC input and future options.
  • Direct input for integration into multi channel systems.
  • Military specification wire used for speaker wiring.
  • Single PCB construction ensuring short signal paths.
  • Large toroidal transformer.
  • 7 reviews
    4.57 of 5
    MSRP: $ 1425.00


    More Products from Rega >>
    Search AudioReview forums for the Rega Elicit >>

    www.rega.co.uk

    Reviewed by: stereoguy (Audio Enthusiast)

    Review Date June 23, 2009

    Overall Rating 4 of 5

    Value Rating 3 of 5

    This review is the new version of Rega Elicit integrated amplifier with optional MM or MC phono stage that came out recently. Since I consider myself to be music lover first and equipment nut second, this integrated amplifier suits my needs well.

    It is thoroughly competent and eminently practical. I’ve given over to the inconvenience and discomfort of tubes and class A solid state on several occaisions over the years (Pass labs, conrad johnson, audio research). Yes they sound great but in some ways are a pain to use and own. Good tubes can be finicky and cost alot, class A amps use gobs of electricity, and both types of amp generate copious amounts of heat. Sometimes I would be sweating during a listening session. I might find myself being subservient to music at times, but I am no longer willing to be subservient to equipment.

    Nowadays I just want to listen to music without bother. I had used the Rega Mira as a possible solution to all this. If that amp had been just a little better I would have kept it and soldiered on. Well the Rega Elicit is more than a little better than a Mira. I wanted a good integrated with a built in phono stage for my turntable- the Rega Elicit is that amp. Though I do feel the US retail price of the Elicit is prohibitively high. I got a good deal on mine and Rega had a phono stage included free introductory promo going on when I got it (phono is normally an extra charge).

    The Elicit has a very appealing look to it plus it feels solid, hefty and well made when you pick it up. The power supply transformer is the core of any amp, it seems Rega has given that fact ample consideration. The sound it gives is assured and involving across the board. You don’t get the boundless sense of reserve higher powered amps can have. At the upper edge of its loudness capability there is a change in tonality which does not become offensive. The sound goes from being more laid back to a little more foward. In this manner it reminded me of my CJ tube amp and Sugden class A amp- it will remain composed if used within reason. Tonally The amp falls somewhere between the Rega Mira3 and Sugden A21 I have owned. The Elicit has a stronger than typical bias into class A but not enough to run very hot. The result is a subtle sweetness and refinement which the Mira lacks. The Elicit is more clear and detaled than the Sugden A21a but I wouldn’t call it hyper detailed. The soundstage is good, treble is smooth, bass is propulsive. What Hi-fi kept calling this amp “musical” as if it’s some kind of crime. After awhile I’ve learned that components that impress immediately rarely stand the test of time.

    Folks this is about as good as British class A/B integrated amps get. I can speak of it as being well suited as the heart of the Rega system I now own. It did not work as well in a piecemeal situation. I’d suggest that people who listen to this amp at least consider to try it with Rega speakers. To sum up The Elicit is a clean and musical sounding amp that also happens to be utilitarian. I am very happy to own it.

    www.rega.co.uk

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    So long to the King of Pop - Michael Jackson Age 50 Dies

    June 25th, 2009 by adam

    So long to the King of Pop - Michael Jackson Age 50 Dies

    TMZ has the breaking news!

    TMZ has the breaking news!

    Michael suffered a cardiac arrest earlier this afternoon at his Holmby Hills.

    via: TMZ

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    Posted in Press and News |413 visits| No Comments »


    Blu-ray Statistics - HDTV up, Blu-ray lagging

    June 25th, 2009 by adam

    hometheaterblog.com has a post about the new Harris Poll on HDTV and Blu-ray uptake by consumers last year.  (PDF link).  HDTVs are up by about 12% while those who plan to buy a blu-ray is down 2%.  Which falls within the standard deviation norm, but it isn’t what the industry was hoping for.  Flat sales capitalism doesn’t make. audioREVIEW had a quickpoll up for about a week and Blu-ray players appeard to be penetrating our audience well, but I suppose we aren’t average.

    Read homethaterblog.com analysis of the poll here.

    via: hometheaterblog

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    Magnepan Magneplanar MG 1.6 User Review

    June 25th, 2009 by adam

    181 reviews
    4.63 of 5
    MSRP: $ 1895.00

    Description:

  • 2-Way/Quasi Ribbon Planar-Magnetic
  • Freq. Resp. 40-24kHz ±3dB
  • Rec Power Read Frequently Asked Questions
  • Sensitivity 86dB/500Hz /2.83v
  • Impedance 4 Ohm
  • Dimensions 19 x 65 x 2
  • Available in cherry, natural or black hardwood trim, off-white, black or grey fabric.
  • More Products from Magnepan >>
    Search AudioReview forums for the Magnepan Magneplanar MG 1.6 >>

    www.magnepan.com

    Please note, the inspiration for this special edition user highlighted reviews is that the MG1.6 were recently rated the #1 best audiophile speaker for under $3,600 from CNet’s Audiophiliac blogger Steve Guttenberg. With 181 reviews on audioREVIEW.com and a 4.63 out of 5 rating, Steve is probably right on the money. So here is your chance to find out more about ths wonderful speaker.

    Reviewed by:

    Feanor
    (Audio Enthusiast)

    Review Date August 17, 2005

    Overall Rating 5 of 5

    Value Rating 5 of 5

    Used product for 3 Months to 1 year

    Visitors rate this review 4.08 of 5, 13.00 votes

    Summary:
    Magnepan’s Magneplanar lineup are flat panel, full-range dipole speakers. The look a bit like narrow room dividers. By dipole I mean that sound comes out the back of the speakers as well as the front; the sound from the back is “out of phase” with that from the front. The radiating surfaces of the Magneplanar MG 1.6 are flat membranes: a wider one for low mid & bass, and a narrower one for upper mid and highs, (above about 600 Hz). Magnepan calls the latter a “quasi-ribbon”. In my opinion, the MG 1.6 is a high-end speaker at a “mid-fi” price and one of the greatest audio bargains out there. See my list of Strengths, below.

    In my judgment the advantage of the MG 1.6 (and other Magneplars), stems from the following: = It is a full-range dipole, and = It has uses low-mass, planar drivers for the whole audio spectrum. These attributes account for its extraordinary clarity, coherence, “air”, and “you’re there in the concert hall” soundstage. It is an inherent characteristic of all dipole speakers that they must be placed carefully to get sound good. In the MG 1.6 case, it is 3 - 4 feet from the wall behind and about 2 from the side walls. If not, the sound from the rear of the speaker will be reflected in such as way as to interfere with the sound from front, causing a quite raunchy and inaccurate result. (Failure to meet these conditions might have been Mr. Klementovich’s problem but if so he didn’t mention it.) With proper placement the Magneplars produce a sense of air and presence that few, if any, speakers can match.

    But the MG 1.6 is no “rocker”. If you like to listen to rock music at high volumes you might well be disappointed by the speakers. Inherently their planar membrane design limits driver excursion that in turn limits their ability to deliver hard-driving bass. This is not to say they don’t have good bass, only that there are limits.

    Strengths:
    = Excellent detail and resolution = Smooth frequency response = Coherence, e.g. no discontinuity or dissimilarity between the drivers = Fabulous soundstage, air, and sense of the presence of the performers

    Weaknesses:
    = Proper placement is critical = Fairly large, imposing appearance = Ultimately limited bass dynamics = Require a relatively powerful, high-current amplifier

    Similar Products Used:

    Magneplanar MMG; B&W DM7; B&W CDM1


    Reviewed by: digital (Audio Enthusiast)

    Review Date November 30, 2004

    Overall Rating 4 of 5

    Value Rating 4 of 5

    Used product for Less than 1 month

    Visitors rate this review 3.58 of 5, 12.00 votes

    (image: darqueknight88)

    Summary:
    Recently picked up a pair of Magnepan 1.6QR’s and, as I spent so much time online in this and various other review sites in the past, wished to ‘give something back’. At any rate, onward with my Magnepan 1.6QR review. Not your average audio-buff, I am not a fan of jazz, very little classical and no opera whatsoever. Rather, I spend a lot of time listening to Eric Clapton, Neil Young, Gordon Lightfoot, Tragically Hip and a wide variety of other soft / hard rock recordings. My audio system is nothing to write home about; a Technics SA-DA10 receiver, Toshiba DVD player and various monster cables.

    The Magnepans are the front speakers for a 5.1 surround system, complimented by some Paradigm rears, center and sub. As a home-theater speaker they are fantastic, but as a critical listening stereo speaker they are astonishing. Though I have a quality sub, I turn it off in stereo; its simply not required. Roughly estimating, I would say that I have auditioned well over a hundred sets of speakers in my life, in most conceivable rooms with front-ends ranging from ultra, (Linn LP12, Krell & Levinson Pre’ / Amps’), to average, (Pioneer / Yamaha etc.), and Magnepan’s transducers have always impressed me the most overall. I had heard & read much that led me to believe that I – must – use these speakers with a powerful, (read ‘audiophile expensive’), separate pre-amp and amplifier. In fact, the dealer cringed when I told him that I would be hooking them up to a Technics receiver. Not one to be swayed however, I urged the audio shop to allow me to audition the 1.6qr’s with a quality receiver. They hooked me up with a NAD T773 receiver and NAD C542 CD player. So far, so good. I lined up some CD’s that I had brought with me and sat back.

    Listening to a variety of CD’s, all went well until about an hour into the listening session. John Lee Hooker’s sharp licks on Tupelo, (from the CD ‘Chill Out’ – Virgin Music), shut the receiver down hard while playing at just slightly over half-volume. While this was at a level that I would consider as ‘nearly loud’, (the speakers are a in-efficient), I was disturbed that a receiver of this heritage, (and price), could be shut down so easily. That aside, I had auditioned several other maggies and was determined to take home the 1.6’s. I felt that I could run the Technics very low and pop for a stand-alone pre’ & amp’ later.

    However, since arriving home I have run the Technics receiver a little over half-volume on quite a few occasions and have yet to shut down or even audibly distort the receiver. Often my sessions run many hours. I can only attribute this oddity to the NAD having much more sensitive clipping circuits. The only reason that I have not pushed the receiver even harder is that I understand that (most), speakers require a gentle burn-in period. Thought that might be a wife’s tale until I actually read it in the Magnepan user’s manual.

    Details; my listening area is odd; it’s a long room, about 16 feet across and perhaps 40-ish feet long. One end hosts a dining room with antique furniture, while the other end is mostly modern, (computer desk / audio gear). In this end I have the 1.6QR’s, TV, center channel and electronics set up facing across the short length of the room at my sweet spot. The room acoustics are slightly deadening; carpeted with soft furniture, though the walls are ‘hard’ in that they support few hangings with sound-dampening characteristics. The room also plays host to a wide array of my wife’s large plants.

    Strengths:
    Must say, the 1.6qr’s are, hands down, the very best speakers that I have had the pleasure of experiencing in my home, or in any retail sound rooms for that matter. Music from planar magnetic speakers is something that has to be heard to be believed. All of the eloquent words in the world that I can type here don’t even begin to do justice to the sound stage that the 1.6qr’s reproduce. Though the physical size is initially somewhat imposing, I have grown to like them a great deal. They have a very bold aura about them with their immaculate cloth covers and subtle wood trim.

    Weaknesses:
    First off, they are quite large; I mean really quite large. When you take them home and set them up for the first time the masculine side of you gets the Tool-Time-Tim Harrumph! feeling, but the feminine side starts glancing around nervously for your spouse… They are simply physically imposing, (this apprehension melts away rather quickly once you actually hear them, but the initial view is rather stunning). As much as you want to pop in your all-time favorite CD, I strongly suggest that you start by playing your significant others’ most treasured recording; Loreena McKennitt’s ‘The Visit’, worked for me, and I might add, I enjoyed it as well. The only other nit-pick that I can offer are towards the stands. Lets face it; these puny metal flat-bar stands are downright homely. Come on Magnepan, you can do better than that – you are dressing up a queen in old sneakers! These are beautiful speakers with some really ugly stands! I am led to believe that there are third-parties which supply athletically appealing stands for the Magnepan line, but one should not have to purchase aesthetically appealing stands from elsewhere for speakers of this caliber / class. I will have my brother-in-law, the master-carpenter create some really fantastic rounded oak or mahogany stands with hidden rear attachments for my Magnepans and will sell pairs to those interested as well! The only thing that stopped me from giving this speaker a perfect rating is that the stands are so poor!

    Similar Products Used:
    Magnepan MG12, MGII’s and a wide variety of ‘classic’ cabinet speakers.

    A word from Magnepan

    One of the advantages of quasi ribbon drivers is the extremely wide frequency band width. In addition to rugged power handling , the quasi ribbon driver of the MG1.6 handles over 5 octaves of the critical midrange and high frequencies (500Hz to over 24kHz). The result is low distortion and seamless ribbon clarity–a sound so clear and effortless that is has changed the thinking of thousands of audiophiles about planar speakers.

    Small box speakers are very popular. We aren’t designing and manufacturing large planar speakers just to be different. If we could shrink the unique sound of Magneplanars into a small box. Magneplanars would be as well-known as Bose. Despite the advances in technology, no small speaker exists that can duplicate the performance of a full-range planar speaker.

    Some physicists argue that the large wave launch, low surface loudness, etc. are unique to planar speakers. The physics require the size and shape of a Magneplanar. In part, the MG1.6 offers superior sound because of its size and shape. Thousands of audiophiles see Magneplanars in a different light once they fall in love with the sound of planar speakers.

    The MG1.6 offers ribbon technology and planar bass resolution at a price that some audiophiles spend for speaker cables. Musical value is what Magneplanars are all about. Ask your dealer or call Magnepan at 800-474-1646 for copies of reviews of the highly acclaimed 1.6.

    www.magnepan.com

    There are many conversations on this unique speaker on the audioREVIEW forums, check them out.

    There are 179 more reviews on the MG 1.6 here.

    More Magnepan speakers on audioREVIEW

    Magnepan Hot Deals


    >> Special Web Deals for You!

    The top 5 reviewed products from Magnepan.
    Magnepan Magneplanar MG20 and 20.1
    Rated:
    5 of 5
    Read the Reviews
    Magnepan MGIIIA
    Rated:
    5 of 5
    Read the Reviews
    Magnepan Magneplanar MC 1
    Rated:
    5 of 5
    Read the Reviews
    Magnepan Magneplanar MMG W
    Rated:
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    Magnepan Magneplanar CC 3
    Rated:
    5 of 5
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    More resources:

    Magnepan Owners group: www.integracoustics.com/MUG/MUG/

    What about sound damping for Magnepans? Thread in forums has some answers.

    What about an amp? Class D amp and POWER: Here is a thread on it on the forums.

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    Pacific Valve’s new Fathom DAC

    June 24th, 2009 by adam

    Have you been looking for a great and non-expensive way to get clearer music from your computer? Pacific Valve’s new Fathom DAC can help do that for a great pocket book friendly price of $229.00. Computer headphones pre-amps/DAC tend to be so harsh on the ears when using good or hi-fi headphones/earbuds, it is worth the investment to clean up that signal and reduce some of the harsh or thin sounds from a cheap equipment.
    - audioREVIEW

    Enjoythemusic has some great news on a new hi end USB DAC from Pacific Valve for $299.  The USB interface on this model has been designed have an I2S conversion which Fathom has addresses issues with the I2S USB interface, and improved power supply regulation.

    Read more on Enjoythemusic.com…

    A sale price already for $229.00 from www.pacificvalve.us

    From Pacific Valve:

    Pacific Valve has been the leader in offering a variety of DACs to the market. Recently, we had the
    opportunity to design our own NOS DAC. The process was extensive and involved several hours of
    listening tests. The problem that we had was that most NOS DACs were bright in the upper midrange
    and lacking in detail. We did not feel that we could bring a DAC to market until we addressed some of
    these issues. For USB, the design must have an I2S conversion because we did not like the sound of
    the latest conversion DACs.

    Enter the Pacific Valve Fathom. The Fathom addresses these issues with an I2S USB interface, an
    advanced circuit topology and improved power supply regulation. The digital conversion process starts
    with a DIR 9001 receiver that is re-clocked by a 1PPM 12 MHz TCXO ( this is the same clock that is used
    in our legendary Vanguard transport) . The rest of the circuit uses top of the line Rubycon caps and high
    voltage low tolerance resistors. The power supply uses a 10W sealed transformer for low vibration, a
    high grade IEC plug, and a high end voltage regulator.

    The sound of the Pacific Valve Fathom exceed our expectations on USB and S/PDIF connections. The
    music flows like a vinyl with a tube rectified preamp. There is a sense of realism the midrange, yet the
    Fathom has the dynamic range that NOS DAC freaks are so fond of. Dollar for dollar, the Pacific Valve
    Fathom is destined to become a classic.

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    Posted in Press and News |Tags:, |937 visits| No Comments »


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