Stand by Me - A Heart Warmer

April 30th, 2009 by adam

Stephen Mejias (Stereophile) has great little post that will warm your heart for sure. He goes into the depth of humanity and music in his post so I wont.

Click on over to the Stereophile forum to read more.

Here are the goods.  SWF vimeo movie.  SFW.

source: Stereophile

The thruyou web version of this … isn’t as heart warming but well worth the time.

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Harbeth Compact 7 User Review

April 30th, 2009 by adam

Harbeth Compact 7

32 reviews
4.84 of 5
MSRP: $ 3995.00

Description:

  • Transducer system Vented 2-way domestic monitor loudspeaker
  • Freq. response 46Hz - 20kHz +/- 3dB free space, 1m with grille on with smooth off axis response
  • Impedance 6ohms, easy electrical load
  • Sensitivity 86dB/1W/1m
  • Amp. suggestion 25W +
  • Power handling 150W programme
  • Connector Two 4mm gold-plated binding posts
  • Dimensions (hxwxd) 520 x 273 x 315mm
  • Finish Cherry (std.), eucalyptus . Others: to order
  • Space needs Ideally 0.75m+ from surfaces
  • Stands Typically 15-21 inches
  • Weight 13.2kg each
  • Rating
    Reviewed by:

    kugs22

    (AudioPhile)

    Review Date
    April 24, 2009

    Overall Rating
    4 of 5

    Value Rating
    3 of 5

    Used product for
    1 to 3 months

    Summary:

    Given the number of glowing professional reviews for the Compact 7 ES3, I thought sure I’d find some here as well. Interesting that there are none. I had these speakers for a month after being seduced into buying them by a series of female vocals I played at the dealer showroom. Wonderful stuff. However, the 7’s ultimately proved rather mercurial and confounding in my listening room, and I decided to sell them. I have owned over 20 sets of speakers in 35 years of this hobby, so it’s not my “first real pair of speakers” by any stretch. I have enjoyed electrostatics, planars, esoteric designs, and good boxes all. The Harbeths were another creature entirely.

    They are as clear as rainwater, and the RADIAL driver is a great technical feat. The inner detail is at times staggering, without being etched at all (I mean, I could hear what people in the audience at Sara McLachlan’s Afterglow Live concert were saying - people way in the back!). And the harmonics for the mids and treble were, in my listening experience, about the very best I’ve ever heard. Very natural, very believable. Also, I agree with reviewers that these speakers have an uncanny ability to put the music in the venue in which it was created (although the soundstage in absolute terms was not as large as many lesser speakers). All of these comments track the reviews.

    Where my experience differed was in two areas. First, bass response. Although the bass was wonderfully defined and free of mid-bass bloat, it a) didn’t appear to be sufficient in volume to match the rest of the spectrum - it was all there, but seemed to lag several decibels behind the mids and treble, which means that on a lot of music there wasn’t sufficient drive, and 2) was somewhat on the “woody” side, especially with electric bass. As to the first area, I will say that this was not always true; which is why I can’t really say that the speaker was voiced wrong or anything - but on more than half of my collection, the bass was of deficient volume, although of good quality. I used them with dual subs, so it was not the depth of bass that was off, but the amount in the (I’m guessing) 60 -200 range.

    Second, there was (to me) a homogeneity to the sound, together with a lack of mid-treble snap and general lack of energy that was in direct conflict with the analytically perfect presentation. For example, Stevie Ray Vaughan’s well-recorded Tin Pan Alley track should have a slight eclectic guitar metallic “catch” at the leading edge of his notes on his solos - it’s what gives the piece it’s drive and fun. It was completely lacking with the Harbeths. Yet in terms of absolute treble extension, the Harbeths were wonderful. They were ,for me, a mystery.

    The closest analogy I can think of is taking your amplifier and running it through a line conditioner. Does it sound “better”? Usually, yes. But what is the cost? The cost is usually a loss of involvement. Now the reviews of the es3’s usually do talk about the fact that speakers this analytical can often sound dead and uninvolved, but they all say that the Harbeths retain their musicality. Well, I disagree. I agree that they retain their musicality in the sense that they are not dry or etched (they have wonderful tone), but I do not agree that they avoid the pitfalls of ultimate boredom. In the end, as beautiful as the notes were, I was looking at my watch. On two separate nights of classical listening, I fell asleep. Literally.

    I could find no “jump factor” with these speakers. We all have favorite cuts we like to play for the spooky “wow, that’s in the room with me” effect. Well, on my rendition of those cuts, as clear and precise and beautiful as they were….they just were not in the room with me at all. Frankly, this isn’t that important to me, but it again demonstrates a certain lack of energy in the presentation.

    It is hard for me to agree that the speakers are neutral. As I noted, I don”t believe they have proper bass weight (spectral balance). Whatever I did with the subs, at the point where the crossover or volume was too high, they let me know - it just wasn’t happening with the mains.

    Although it doesn’t matter much to me what a speaker designer says on his website about speaker design (it is wonderful that there are so many different slants on making speakers), I will say I found the Harbeth website slightly cult-like. If you visit there, you will find that Mr. Shaw does not believe 1) that the quality of you gear and ancillaries will have much of an effect on your listening experience (as Harbeths are just that good); 2) there is no such thing as burning in speakers (we all just adjust to sound over time) and 3) it doesn’t matter much what stands you stick you Harbeths on - including inverted plant pots. I don’t agree with any of that stuff, but would gladly fuggedabowdit if the speakers were truly that good. But as I didn’t find them to be involving or fun, I have to say I was slightly put off by these positions, which are clearly not shared by the vast majority of audiophiles. And although Mr. Shaw was nothing short of civilized and congenial in his response to me on one of these issues, I took it on the chin from some of his “Harbethians” for daring to disagree.

    As these speakers have received universal praise, I expect my comments to be taken skeptically. And that’s fine. Look, the 7 es3’s have tremendous strengths - I mean, tremendous! And many people rightly love the things. But electrostatic clarity and quickness I can get from ….an electrostatic! What I crave in a box speaker (because I see it as a box speaker’s strength) is moving air in a realistic way. This is as important for a piano forte as it is for a blues solo. If the only adjective left to a depict a performance is “nice,” the heart hasn’t been moved. Other than for female vocals and some massed vocals (which were, within the voice range, really riveting), I just couldn’t get jiggy with the Harbeths.

    Of course, your results in your room with your equipment may be entirely different, and as I said, even if you agree with me, you may not care about the areas of my concern. Many don’t. I would suggest, however, that if you’re considering these speakers, you audition them with a large variety of music for at least a couple of hours. They make a wicked good first impression, which stays for many, but wanes for some (such as I). You need to get past that and listen for a while to make certain the wonderful strengths of these speakers are enough to keep you in the game long term.

    I understand that my review may engender responses and defenses, which are always welcome on this forum. These speakers deserve more comment here one way or the other anyway. They are remarkable in what they do well.

    More Products from Harbeth >>
    Search AudioReview forums for the Harbeth Compact 7 >>

    www.harbeth.co.uk

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    Hi-Fi within recycled materials

    April 30th, 2009 by adam

    How would you feel about your $50,000 speakers cabinets being made out of recycled material? I’ve poked a bit of fun at the cost of Meridian’s music servers for costing so much yet offering suck simple technology. But would knowing that the material in your $15,000 touchscreen might have been part of an airplane or car, or even who knows what else before, would that make it worse? Insult to a pocket book injury or would that make it better? I’m leaning towards the better. You know, be Green, it is trendy and good for the world.

    -audioREIVEW


    A WRAP (Waste & Resources Action Programme) project is set to introduce electrical goods containing recycled content onto the high street for the first time. A Meridian hi-fi co-branded with Ferrari and a television stand produced by Vital will be demonstrated by TT Audio Plastics and Giraffe Innovation.

    This project aims to incorporate recycled materials into high quality consumer products, delivering significant cost savings and environmental benefits to manufacturers and brands.

    In November 2008, Indesit, in collaboration with WRAP and Axion Recycling, successfully recycled plastic from WEEE (Waste Electrical and Electronic Equipment) materials, specifically shredded plastic waste from domestic fridges, into a cover plate for two flagship washing machine models. TT Audio and Giraffe plan to take the possibilities of recycled content further and produce high performance audiovisual equipment incorporating recycled content. Both the casing and internal components are being developed from 100 percent recycled UK WEEE plastic and will be aesthetically attractive, high quality and as robust as those made entirely from virgin materials.

    Marcus Gover, WRAP’s Market Development Director said: “We are pleased to work with leading brands Ferrari and Meridian to develop high quality electricals and build on the successful research that Indesit and Axion produced last year. We believe this project will further embed the feasibility of closed-loop recycling in electrical equipment as not only delivering quality, but also cost benefits to manufacturers in these difficult times. We look forward to seeing the outcome of these products in the autumn.”

    Tim Ireland CEO of Meridian Audio said “Historically manufacturers have been reluctant to embrace recycling technology because of concerns about brand perception. Meridian is committed to retaining the quality of its brand, but at the same time is open to new technologies that benefit the environment. We are delighted to be involved in this project.”

    TT Audio Plastics Technical Sales Manager David Crack added “Using recyclate in these products is at the development stage, however we believe there is a strong commercial case in producing and promoting these products and we are keen to see the results in autumn 2009.”

    Quelle: WRAP

    source: recyclingportal.eu

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    Posted in Press and News |211 visits| No Comments »


    Ultimate Luxury iPod Dock, Carbin Fiber and T6061 , and £1,599.00

    April 30th, 2009 by adam

    ChipChick found an amazing little iPod dock that really goes out to left field to show off high quality components. At least in the structural material used. T6061 aluminum, carbon fiber, and bearings used in Formual One racing. The dock used a 2-way wireless and uses the DWC-Aphex for superior sound quality. And just like a high end sports car, or any electronic device, there is a start button. But this one says “Start Engine”. Catchy, no? Well for £1,599.00 and only 1,000 units production run. You’d be hop up and buy one today! Right?

    -audioREVIEW


    Art Sono iPod Dock is Made of Aircraft Materials

    Art Sono iPod Dock is Made of Aircraft Materials Forget the recession around you. You dont want an iPod dock that will cost you $100 or so from Best Buy, you want the Art Sono . The Art Sono has been built using a solid piece of T6061 aircraft-quality aluminum material, along with carbon fiber trim. The volume control is made in the form of an aluminum flywheel that runs on Formula One style ball bearings. read a bit more on ChipChick or a lot more on thepleasurehome,com

    source: ChipChick

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    Posted in Press and News |Tags: |322 visits| No Comments »


    Flexpeaker - The Flexable Paper Speaker

    April 29th, 2009 by adam

    Speakers are often clunky and material-intensive, but the Flexpeaker from the Industrial Technology Research Institute in Taiwan is about as sleek and simple as can be. The 8.5-inch-by-11-inch sheet is made from layered thin electrodes and a prepolarized diaphragm sandwiched between two sheets of paper. As you might imagine, thin speakers breed thin sound. The Flexpeaker’s frequency response is 500Hz to 200kHz…

    There is a bit more on the speaker at fastcompany.com

    source: fastcompany.com

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    Posted in Press and News |809 visits| No Comments »


    Sony’s New Blue-Tooth Noise Canceling Headphones - BT101

    April 28th, 2009 by adam

    Sony Europe on Monday announced the upcoming release of two sets of Bluetooth 2.1 headphones with Sony’s cVc echo and noise cancellation software, the DR-BT100CX in-ear earbuds and headband DR-BT101. Both can handle phone calls thanks to a built-in microphone and call answer controls as well. The earbuds use 9mm Neodymium drivers while the latter sport a 30mm speaker made of the same material. Integrated music controls include volume adjustment and track forward and back buttons.

    read more on Electronista…

    source: Electronista

    www.sonystyle-europe.com

    Be sure to check out our popular Editor’s Choice Best Headphones

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    Posted in Press and News |Tags:, |590 visits| No Comments »


    Creative entry level MP3 Players

    April 28th, 2009 by adam

    Creative has added a new entry-level model to its portable audio player line-up with the ZEN MX. Available in models with 8GB or 16GB of internal memory, the new players look largely like the company’s current ZEN players with detail changes to the control button layout. The same 2.5-inch LCD display with 320×240 resolution remains. Supported audio files include MP3, WMA (with DRM) and Audible 4. As for videos, only Creative’s proprietary video-CMV format is compatible. Creative did include its Creative Centrale software that will convert videos into the format, however….

    At the same time, Creative announced its flagship portable multimedia player, the ZEN X-Fi, will get a price cut on April 28. The 32GB model will be reduced by the equivalent of $21 to $290, the 16GB by $42 to $196 and the 8GB by $21 to $144.

    Creative ZEN MX

    Creative ZEN X-Fi

    Technical Specifications ZEN X-Fi

    Feature Description
    Capacity1: 16GB/32GB
    Size WxHxD: 3.3″ x 2.2″ x 0.5″
    Weight: 2.4 ounces
    LCD: 2.5″ TFT 16.7 million color LCD
    320 x 240 pixels
    Storage Capacity1: 16GB
    Up to 8,000 WMAs/ 532hrs (Approx. 4mins per song at 64kbps WMA)
    Up to 4,000 MP3/ 266hrs (Approx. 4mins per song at 128kbps MP3)
    Up to 4,000 AAC/ 266hrs (Approx. 4mins per song at 128kbps AAC)

    32GB
    Up to 16,000 WMAs/ 532hrs (Approx. 4mins per song at 64kbps WMA)
    Up to 8,000 MP3/ 266hrs (Approx. 4mins per song at 128kbps MP3)
    Up to 8,000 AAC/ 266hrs (Approx. 4mins per song at 128kbps AAC)

    Battery Life2:
    • Up to 36 hours of continuous audio playback
    Video Playback Formats: MJPEG, WMV9, MPEG4-SP3, DivX3 4/5 and XviD3
    Audio Playback Formats: MP3, WMA, Non-protected AAC4 (.m4a) from iTunes® Plus, WAV (IMA ADPCM), Audible 4
    Photo Formats Supported: JPEG (BMP/ GIF / PNG / TIFF)5
    Wireless LAN Supported: IEEE 802.11 b/g with WEP, WPA-PSK, or WPA2-PSK security
    Battery: Built-in Li-ion battery
    FM Radio: 32 preset stations
    EQ Settings: 8 presets and 5 band custom EQ
    Organizer: Calendar, Contact, Task List
    Power Charging: Yes
    Album Art: Yes
    Voice Recording: Yes
    Connectivity: USB 2.0

    1 1GB=1,000,000,000 bytes. Available capacity will be less. Reported capacity will vary.
    2 Actual battery life and audio and video playtime will vary with use and settings. Battery has limited recharge cycles.
    3 This product is not certified by DivX Inc. and may not play all DivX 4 and DivX 5 files. XviD encoded files are playable if they are encoded as standard MPEG-4 Simple (SP) or Advanced Simple Profile (ASP) without GMC and QPEL support. Other formats, for example MPEG-1 and MPEG-2, may be transcoded with the bundled software. Appropriate codecs must be preinstalled.
    4 Non-protected.
    5 Files transcoded with bundled software.

    more info at Electronista…

    source: Electronista

    creative.com

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    Christie Christie LW650 LX400 3LCD Projector

    April 27th, 2009 by adam

    The Christie LW650, one of the brightest WXGA, single-lamp 3LCD projectors on the market. The new projector’s native WXGA (1366 x 800) resolution provides a wide screen format image for full-screen compatibility with the latest laptops and monitors.

    “Wide XGA is where the industry is moving. Fulfilling the need to display larger amounts of data, the Christie LW650 is among the leading high-brightness WXGA projectors which can present data and video sources with enhanced image quality,” says Frank Anzures, product manager for Christie.

    “The new projector offers a full-range of premium features, including extreme lens shift capability,” says Anzures. “It is designed for performance, flexibility and ease of use with Pro AV features that make it easy for the installer and the customer to integrate into an existing network of projectors.”

    A compact and affordable LCD projector with inorganic panels for long life, the Christie LW650 packs a powerful punch with 6500 ANSI lumens and 2500:1 contrast ratio for deep, rich blacks and high brightness. It boasts 10-bit image processing that reproduces over 1.07 billion colors and offers superior grey scale rendering as well as smooth, artifact-free images.

    more on the LW650 projector…..

    The feature-rich Christie LX400, a versatile XGA 4000 ANSI lumens projector with an affordable price tag. A full value projector with no compromises, the new projector combines Christie’s renowned standard for high performance and industry-leading warranties.

    The Christie LX400 is a native XGA companion to the Christie LW400, the company’s popular WXGA 4000 ANSI lumen projector. “The Christie LX400 shares connectivity and feature sets with our already best-in-class Christie LW400, offering Pro AV functionality at an economical price point,” says Frank Anzures, product manager at Christie. “The new Christie LX400 is a premium solution customers are accustomed to seeing from Christie. We are offering products for today’s cost-conscious market.”

    With native XGA resolution and 1000:1 contrast ratio, the Christie LX400 is ideally suited to boardrooms, small auditoriums, conference rooms, classrooms, houses of worship and entertainment venues where bold, detailed images are required. The new projector is compact, lightweight (15.8 lbs/7.2 kg) durable and portable. It includes a sturdy integrated carrying handle and a rugged cabinet for easy transport.

    more on the LX400 projector…..

    About Christie
    Christie, a wholly-owned subsidiary of Ushio, Inc., Japan, (JP:6925), is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment and industry. A leading innovator in film projection since 1929 and a pioneer in digital projection systems since 1979, Christie has established a global reputation as a total service provider and the world’s single source manufacturer of a variety of display technologies and solutions. With the acquisition of Vista Control Systems Corp., Christie offers the most complete and advanced solutions for cinema, live venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.

    www.christiedigital.com

    source: eCoustics

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    Warner HD-DVD to Blu-ray Trade In

    April 25th, 2009 by adam

    Warner Bros. is now offering a trade up program called Red2Blu, where you can trade in your old HD-DVDs (only WB titles) for brand new copies in Blu-Ray.

    The program limits you to 25 items per household. To participate, visit the Red2Blu program website, select the titles you want to trade up, then send in $4.95 per title + $6.95 S&H along with the original HD-DVD packaging artwork / box sleeve. You don’t need to send in your discs.

    Warner is accepting trade-ins for 128 titles including “Batman Begins,” “I Am Legend,” “The Matrix,” “Syriana,” and “Unforgiven.” If your Warner title is not on the Red2Blu list, Warner says that movie will not be eligible for trade-in.

    http://red2blu.com/

    source: audioreview forum member: Smokey

    check out the forums

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    Addicting Flash Based Awesome Audio Programs

    April 23rd, 2009 by adam

    Spend some time making noise instead of playing boring flash games at work. A friend and I tweeked out on these Flash proggies for a few hours today. Enjoy…

    baasnotes.com post a few days back about this awesome site called lab.andre-michelle.com that has a collection of Adobe Flash based audio and some image programs.  Hook your computer up to some good speakers and waste a couple hours making some fun music.  There are things like a Flash based 909, get your bump tap bump tap on or just irritate your co-workers with 180bmp distorted kicks! The Tonematrix (I personally think is awesome, pictured below) and a bunch of there stuff.

    - audioREVIEW


    (This is the ToneMatrix from Andre Michelle.  Totally hypnotic)

    source: bassnotes.com

    Make sure you have the latest Adobe Flash installed. If not get it here at Adobe’s site.

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    Posted in Press and News, Random Goodie |Tags: |248 visits| No Comments »


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